Friday, July 20, 2018
The Gibbes Museum of Art in Charleston, South Carolina houses an eclectic collection of 18th, 19th, 20th, and 21st Century American art. To be fair, they've got it much more chronologically organized in there than I've opted to do in this post. But personally I'm a fan of the jumps and juxtapositions such a wide-ranging collection provides. Much of the best stuff, imho, were the portraits & the landscapes of Charleston and its environs.
Above: Jill Hooper's portrait of Mary Whyte
Edwin Harleston's portrait of Reverend Caesar S. Ledbetter
Jeremiah Theus' portrait of Mary Elizabeth Bellinger
Barkley Hendricks' portrait of Estelle Johnson
Jeremiah Theus' portrait of Maurice Keating
Edmund Charles Tarbell's portrait of Josephine and Mary Tarbell
Henry Benbridge, self-portrait
Thomas Sully's portrait of Sarah Reeve Ladson Gilmor
Sigmund M Abeles' portrait of his mother
Edward Rice's portrait of his grandmother
James Earl's portrait of Edward Rutledge
Sam Doyle's portrait of Dr. York Bailey
Augustus Paul Trouche
William Aiken Walker
Robert Merrill Sweeny
Jonathan Green's portrait of his aunt Corene
Mary Whyte's portrait of Mary Jackson
Childe Hassam's portrait of his mother Rosa Hawthorne Hassam
Thursday, July 19, 2018
Wednesday, July 18, 2018
I attended the 10th biannual ICON Illustration Conference in Detroit last week. This conference is one of my absolute favorite of all the many things I go to for work. Here are a few bits and pieces from the trip. (Not pictured: the amazing array of illustrators and designers I got to meet, hang out with, see the work of, and hear speak & the fact that I didn't have much chance to see the city of Detroit, but got a strong impression of it and now want to go back and spend more time there).
Above: The Detroit School of Art Vocal Jazz Ensemble kicking off the conference proceedings with a beautiful performance (note the black and white set behind them, designed by one Josh Cochran - this will come up again later)
The view out my hotel room window might seem unexciting at first, until you learn that those buildings across the water are: CANADA! Which, believe it or not, is due south of Detroit.
I did get a chance to sample the Detroit delicacy known as the "coney hot dog" at this place with these cool signs.
Detroit has a complicated political and economic thing going on downtown where previously abandoned and crumbling high rises, many of them hotels, are being fixed up. The nuances and issues of the situation are many. But so are the astonishing architectural details. It's complicated.
Public art by KAWS
A live on-stage fashion illustration demonstration. The man in the white shirt is the videographer, filming the illustrator (who you can’t see in this photo), a close up of whose hands in action are then projected on the screen behind the model.
The set I mentioned earlier changes during the breaks in the proceedings, growing more and more complicated, and with color slowly creeping in. By the time Jamayla and Pierre Bennu spoke, here, near the end of the conference, it looked like this.
The closing party was held at the Michigan Theater - a majestic spot more recently used as a parking garage and allowed to fall into near total disrepair. Now a party venue, it's crumbling elegance is striking and picturesque. But some local Detroiters in attendance reminded me that the backstory of how it got this way is far from pretty. As with much of what I learned about the city in my brief time there, it made me want to come back and learn more - but with the awareness that the possibility for a gawking kind of tourism is quite high. When I do go back I want to have learned enough ahead of time to do so in a responsible, respectful, and conscious manner.
Tuesday, July 17, 2018
They were having a heat wave while we were in Charleston, so we were always looking for cool (literally and figuratively) indoor air-conditioned things to do. One good one turned out to be the South Carolina Aquarium. Where we particularly liked the friendly rays, the tiny octopus, and the giant sea turtle.